Denver is not on board with autumn. Not at all. I feel like I’m melting, and I’m now pretty sure I’m only cut out for life in, say, Alaska. The silver lining of heading into September*, even if the thermometer doesn’t agree, is a whole host of new books to devour. What are you excited about? I, too, and excited about the new Atwood, but I feel like it’s been on every upcoming list, so I’ll try to keep it to books that may be flying under the radar.
False Bingo // Jac Jemc. MCD x FSG Originals, October 8. “In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces―some supernatural, some of this earth, some real and some not―work their ways into the mundanity of everyday life. Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. “This is not a morality tale about the goodness of one character triumphing over the bad of another,” the sadistic narrator of “Pastoral” announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.”
The Dead Girls Club // Damien Angelica Walters. Crooked Lane Books, December 10. A supernatural thriller in the vein of A Head Full of Ghosts about two young girls, a scary story that becomes far too real, and the tragic–and terrifying–consequences that follow one of them into adulthood.
Red Lady, Red Lady, show us your face…
In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real–and she could prove it.
That belief got Becca killed.
It’s been nearly thirty years, but Heather has never told anyone what really happened that night–that Becca was right and the Red Lady was real. She’s done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn’t seen since the night Becca died.
The night Heather killed her.
Now, someone else knows what she did…and they’re determined to make Heather pay.
Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor.
But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.
As the incidents escalate, one thing becomes clear: they are the work of a twisted person inspired by the wildly popular stories of Mr. Edgar Allan Poe. And Gabriel must find answers, or Pale Harbor will suffer a fate worthy of Poe’s darkest tales.
Last Ones Left Alive // Sarah Davis-Goff. Flatiron Books, August 27.Last Ones Left Alive is the story of Orpen, a young woman who must walk on foot across a ravaged Ireland in the desperate hope of saving herself, and her guardian Maeve, from the zombie-like menace known as the skrake. Sarah Davis-Goff’s strikingly original debut will appeal to readers of dystopian literary fiction such as STATION 11 or THE END WE START FROM.
Wyoming // JP Gritton. Tin House Books, November 19. A cross between Daniel Woodrell and Annie Proulx, Wyoming is about the stubborn grip of inertia and whether or not it is possible to live without accepting oneself.
It’s 1988 and Shelley Cooper is in trouble. He’s broke, he’s been fired from his construction job, and his ex-wife has left him for their next door neighbor and a new life in Kansas City. The only opportunity on his horizon is fifty pounds of his brother’s high-grade marijuana, which needs to be driven from Colorado to Houston and exchanged for a lockbox full of cash. The delivery goes off without a hitch, but getting home with the money proves to be a different challenge altogether.
Fueled by a grab bag of resentments and self punishment, Shelley becomes a case study in the question of whether it’s possible to live without accepting yourself, and the dope money is the key to a lock he might never find.
JP Gritton’s portrait of a hapless aspirant at odds with himself and everyone around him is both tender and ruthless, and Wyoming considers the possibility of redemption in a world that grants forgiveness grudgingly, if at all.
Red at the Bone // Jacqueline Woodson. Riverhead, September 17. Moving forward and backward in time, Jacqueline Woodson’s taut and powerful new novel uncovers the role that history and community have played in the experiences, decisions, and relationships of these families, and in the life of the new child.
As the book opens in 2001, it is the evening of sixteen-year-old Melody’s coming of age ceremony in her grandparents’ Brooklyn brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody’s mother, for her own ceremony– a celebration that ultimately never took place.
Unfurling the history of Melody’s parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they’ve paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives—even before they have begun to figure out who they are and what they want to be.
What Red Was // Rosie Price. Hogarth, August 27th. When Kate Quaile meets Max Rippon in the first week of university, a life-changing friendship begins. Over the next four years, the two become inseparable. For him, she breaks her solitude; for her, he leaves his busy circles behind. But knowing Max means knowing his family: the wealthy Rippons, all generosity, social ease, and quiet repression. Theirs is a very different world from Kate’s own upbringing, and yet she finds herself quickly drawn into their gilded lives, and the secrets that lie beneath. Until one evening, at the Rippons home, just after graduation, her life is shattered apart in a bedroom while a party goes on downstairs.
What Red Was is an incisive and mesmerizing novel about power, privilege, and consent–one that fearlessly explores the effects of trauma on the mind and body of a young woman, the tyrannies of memory, the sacrifices involved in staying silent, and the courage in speaking out. And when Kate does, it raises this urgent question: whose story is it now?
Olive, Again // Elizabeth Strout. Random House, October 15. Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire moments of transcendent grace.
Tuesday Mooney Talks to Ghosts // Kate Racculia. Houghton Mifflin Harcourt. October 8. Tuesday Mooney is a loner. She keeps to herself, begrudgingly socializes, and spends much of her time watching old Twin Peaks and X-Files DVDs. But when Vincent Pryce, Boston’s most eccentric billionaire, dies—leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe—Tuesday’s adventure finally begins.
Puzzle-loving Tuesday searches for clue after clue, joined by a ragtag crew: a wisecracking friend, an adoring teen neighbor, and a handsome, cagey young heir. The hunt tests their mettle, and with other teams from around the city also vying for the promised prize—a share of Pryce’s immense wealth—they must move quickly. Pryce’s clues can’t be cracked with sharp wit alone; the searchers must summon the courage to face painful ghosts from their pasts (some more vivid than others) and discover their most guarded desires and dreams.
A deliciously funny ode to imagination, overflowing with love letters to art, from The Westing Game to Madonna to the Knights of the Round Table, Tuesday Mooney Talks to Ghosts is the perfect read for thrill seekers, wanderers, word lovers, and anyone looking for an escape to the extraordinary. Catherine at The Gilmore Guide to Books put this one on my radar.
Happy reading, fellow bookworms!
*It also means we’er approaching the best month of the year – October! Also, I genuinely sat on this post for 3+ weeks because I did not have time to grab all the book covers. In the end, I gave up.
Source of image unknown. If someone knows, please tell me!